Working in game audio, or film sound? You’ll want every feature, and you’ll likely pay the price to match. Which app is best for you? Well, it depends on how you want to use your sound library. Option 3: forego the waveform display and region selection and use iTunes, Aural Probe, or SampleSort (all free) to organize and transfer your library with drag-and-drop.
Audiofinder windows pro#
MetadataTouch Pro ($80) is another option to apply metadata in batches with additional BWAV field options.
Audiofinder windows windows#
Option 2: Windows users may use Soundly (free) to search, organize, audition and transfer their sound library.Then, once sound effects are organized well in the Finder, use Snapper ($79.00) to preview and transfer multi-channel sound fx. Option 1: MacOS users may apply metadata with Soundly (free, BWAV, two fields), Remetacator (free, BWAV and iXML, multiple fields), iTunes (free, ID3 tags), or Commenteer ($13.99, Spotlight comments).Those apps provide this flexibility for prices north of $500.ĭo you want to get started working with sound libraries and metadata, but have a limited budget? Willing to work creatively? Here are options: Sound librarians who find themselves needing more metadata fields and easier ways to apply and embed it will want to explore BaseHead 4.x Ultra and Soundminer v4.5.
Audiofinder windows free#
Soundly is another solid free option to add two fields of BWAV metadata in batches and browse up to 2,500 library clips. Free single-sound metadata editing is available from Wave Agent and BWF MetaEdit. If you’re willing to pay, MetadataTouch ($40, $60 for batch editing), TwistedWave ($79.90), and BWF-Widget ($49.95-$90.00) can add more fields either singly or in batches. Just need a few metadata tweaks? Sound librarians may choose the free Remetacator to add BWAV and iXML metadata in batches. The other three Windows options add the ability to drag and drop clips into editing apps, too. Notably, Metadigger is able to see BWAV and ID3 metadata. Most of these lack sophisticated design but do the job decently.
Use the free Metadigger, Aural Probe, SampleSort, or Sample Library (€30) apps to add, browse, and audition clips. You can do this inexpensively if you’re willing to juggle a few apps. Sound Librariansĭo you create sound fx libraries or manage huge amounts of sound clips for other editors? These pros’ daily work includes viewing, editing, and saving metadata, then curating those clips so they are easy for others to use.
Those will allow more sophisticated searching, organizational features, and sound fx transferring, although they lack rich metadata features. Have a bit more cash? AudioFinder ($69.95), Library Monkey ($129.00), Resonic Pro (€69), Soundminer HD Basic ($199), and Basehead 4.x ($249), are great next steps. Since they’re not editing every day, they don’t want expensive options.īoth Soundly and iTunes are excellent free options for managing many sound clips. Most just need a way to organize clips, find the sound fx they need, audition them, and transfer them to an editing app. These “casual” editors have fewer needs than the pros above, and have more flexibility in their choices. ”Casual” Sound Editorsĭo you edit audio but aren’t a day-to-day sound editor? Maybe you’re a video editor, music composer or editor, or re-recording mixer? Career sound pros will eventually move to the premium-priced BaseHead 4.x Lite ($399) and Ultra ($549) or Soundminer v4.5 ($899) apps for metadata embedding, spotting to editing app timelines, and sophisticated sound search options. Typical next steps include Resonic Pro (€69), Library Monkey Pro ($449), or AudioFinder ($69.95), which add more fields of metadata (database only) and plug-in processing. It will keep a pro content for quite some time. That performs most tasks they need and includes a free cloud sound fx library, too. Pros needing these type of apps typically start with the free Soundly app. They add thousands of files, browse them with granular detail, and send them to editing apps to work on their projects. Sound designers and sound editors need the most features. Who are these people? Let’s look at them in three ways: Others may simply need a way to gather and audition all their sound clips. Sound librarians may require reading metadata from obscure file types, and embedding this text back into the file. For example, sound designers may need to process their sounds with plug-ins. Most are highly specialized for specific people. There are dozens of features in these apps. It’s important to note that there isn’t one perfect app for everyone. Budget Options Choosing the Best Sound Library Manager App
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